By ANTHONY
Silverchair's
first London show was an amazing gig punctuated with some
awesome guitar solos and extended jams. The guys are looking
very comfortable on stage, with Chris and Ben playing off
each other all night.
Daniel
was in fine form on guitar and was very talkative throughout
the second half of the show. Here is the setlist, with quotes
(the ones I could decipher anyway!) and some comments.
Intro
[Sample from Across The Night]
After
All These Years
[Daniel pausing at certain points to vary the tempo or let
the crowd sing along.]
World
Upon Your Shoulders
[Great piano intro that sounds slightly familiar - is this
a tune from a movie?]
Tuna In
The Brine
[Daniel's acoustic guitar makes its first appearance. Julian
and Stuart really help to pull this off live. Daniel's voice
sounds a little strained at this point.]
Daniel:
"Thank you London"
Neon Ballroom
[Extended and almost instrumental second half. Beautiful.]
Without
You
[More than the sum of its parts. Awesome live.]
Petrol
and Chlorine
[The new intro and the distorted guitar/sitar parts sound
amazing. Then Ben kicks in with the drums and it takes the
song to another level.]
Daniel:
"Thank you all. Thanks for all coming to the show tonight.
It's ah, muchly appreciated. [Someone yells out "I love
you!"] I love you too man. The next song is actually
I wanna dedicate this song to all my ladies.
Love Your
Life
[The crowd sings along to this beautiful version.]
Across
The Night
[Daniel takes off his guitar and jacket for the second half
of this song, waving his hands as though conducting the music.
His voice has warmed up and sounds awesome.]
Daniel:
"Thanks London, it's a real pleasure... Chris even had
some sausage and baked beans to, you know, feel the culture.
What's that beer you had Julian? John Smith. Julian says John
Smith beer is so smooth it's like a milkshake. He knows. He's
a connoisseur, 'cos he's a fucking alcoholic! Anyway, this
song's for Julian's girlfriend.
The Greatest
View
[ROCK!]
Daniel:
"Alright, cool thanks. [He mentions the crowd and people
on levels "1, 2 and 3".]
Ana's
Song
[The new intro is great. The crowd starts clapping along but
it's a little too fast, prompting Daniel to say (tongue in
cheek): "Just slow the clap down a little 'cos this is
where it gets sad."]
Miss You
Love
[New guitar parts and solo are great.]
Daniel:
"Thanks everyone. Alright, next song is, ah, written
by an Australian band. They formed in '93 or '94, when they
were kids. Um, they released their debut album in Australia
in about '94, entitled Tomorrow. Affectionately referred to
by the UK press as the 'Teenage Grunge Sensation from Down
Under. Then everything went bad. But then they came back!
To triumph, good over evil, VH1 coming next Wednesday. Yo
rock!
The Door
/Jam
[After the intro Daniel yells "Get ready to dance!".
Later he says "This is for all the people on the balcony"
and then plays a guitar solo with his teeth! Then, as Chris
pounds out the bassline and Ben keeps the beat, Daniel chats
to the crowd.]
Daniel:
"Alright London. Are you feeling good? Are you feeling
love? Everyone put their arms around one another. The person
next to you, whether you know them or not, arms around one
another. We're gonna feel the love, this is gonna be magic.
We got a special surprise for all you out there. Everyone
up on the balconies, arms around one another, this is a loving
moment, we're bringing people together, it's gonna be glorious,
it's gonna be the power of rock'n'roll. But first, keep your
arms around one another, 'cos I'm gonna sing you guys a little
song".
[Singing]
"I wanna see, all you lovers with arms around one another.
All you lovers, one another. All you lovers, under cover.
All you lovers, one another, that's real nice to see baby."
[David
Botrill must have been at the show because the next part of
the song is dedicated to him as the band rock out].
Anthem
For The Year 2000/Jam
[After the guitar intro Daniel tells the crowd to sing, then
says "That's nearly as loud as Germany. Louder! Last
one baby. Yeah, now we're real hard!" Once again the
band starts jamming and Daniel interacts with the crowd.]
Daniel
(singing): "London is calling. London is calling. But
baby, I'm not home. Leave a message, after the beep. [Sings
a high pitched 'Ahhhhhhhhh'] That's the beep. Leave a message.
Sing whatever you wanna sing London. Scream. So I'll get that
message. I'm gonna sing the words, and hopefully you guys
are gonna sing them back, 'cos if you don't, I'm gonna feel
like a washed up child prodigy, just like a [?]. So you guys
ready to sing back? We're gonna play a game of verbal tennis,
in which I'm the champion. No one has ever beat me, and I
don't think anyone ever will. This is your chance to claim
my title motherfuckers. Germany couldn't do it, France couldn't
do it, New York couldn't do it, L.A. couldn't do it, Sydney
couldn't do it, Melbourne couldn't do it, nobody could do
it. Now we're in London, it's your shot at the title. Can
you do it London? Can you take my title?! Do you feel the
power of these motherfuckers? 'Cos I'm feeling the power,
I'm just about to sing it, and I want you to sing it back.
Are you ready?!"
[Daniel
then gets the crowd to chant "We are the youth!"
and the band rock out, finish the song and walk off stage.
After much cheering they return for an encore.]
Daniel:
"Thanks. We get an encore and everything! We get to play
more, 'cos they wanted it. Alright, this song was a b-side
in Australia, and, I don't know what it was here. You probably
haven't even heard of it. But we like it, and Dave likes it.
This is for you Botrill, 'cos you helped me. So I'm going
to seven, and on eight we'll come in. 1, 2, 3, 4, 5, 6, 7..."
Asylum
[A beautiful song that perhaps should have been the secret
track on Diorama?]
Daniel:
"Thanks. Ah, I just gotta figure out how to turn my guitar
back on. That's the sound of a guitar if ever I heard it.
[Daniel
starts playing a riff. Ben adds a beat and Daniel starts singing
"The sound of a guitar if ever I heard it" repeatedly.]
Daniel:
"That's called 'It's The Sound Of A Guitar If Ever I've
Heard It', it's coming out next week, go buy it."
The Lever/Jam
[A rocking
way to end the show but loses some momentum as Daniel goes
on a 3 minute stream-of-consciousness rant, commenting that
"This baby, this ain't no poetry. This is a verbal equivalent
of a German slap in the face!" He concludes by taking
off his guitar, throwing it in the air and catching it before
smashing it into one of Ben's cymbals. He then picks it up
and hangs it over the mic stand as the band walk off stage.] |