St.
Louis, Sep. 1, 1997
By JEWELS
Photos
by DANIEL KELLEY
While
waiting on line outside Mississippi Nights, we were able to
see and hear part of the soundcheck. I could only see Daniel
and his dreads, and from where I was, they looked awesome!
I heard them play a bit of Slave and Abuse Me.
My
friend Kari and I went to a hotel across the street to get
a drink of water. At the front desk, I saw silverchair's manager,
John Watson. I was still recuperating from having my wisdom
teeth pulled, so I had to sit down and put my head down for
a while.
We sat
on the curb across the street from Mississippi Nights when
Bailey Holloway walked past us. He said hi to us and we said
hi back. Once we were let in, we found a good spot to sit
in the second section of the venue, a very good view. We waited
for the Mims to come out. They're a local band that kind of
dropped off the face of the earth until now. They finally
came out at around 8:30. They played a short setm and thanked
The Point [radio station] and silverchair.
The lights
dimmed and the DJs from The Point came out. With five minutes,
a hip-hop song played in the background (not the circus theme).
Chris walked out first, then Ben, then there was a bit of
a delay before Daniel came out. I could see his dreads better
and they did look awesome. Daniel was wearing a light blue
shirt with a darker blue collar and sleeves. Ben had his little
mohawk and no shirt on. Chris had on his shirt that I think
says "Bud." I can never tell what it says!
They
ripped right into Slave with the long pauses. Daniel extended
his arms out during the part where they slow it down. Next
was Leave Me Out. Before they did Abuse Me, Daniel introduced
Bailey as "Jack Russell, he's our masturbation instructor."
Everyone got a kick out of that one. Before one of the "throw
the sailors overboard" verses, Daniel screamed, "Everybody
fucking jump!" so everyone jumped up and down as if they
were on pogo sticks.
After
Abuse Me I had no clue what song to expect next. The second
Daniel ripped into "Welcome to the closing," I screamed.
It was fucking awesome! For some odd reason, the crowd wasn't
feeling the same way I was. It's like they had no clue what
song it was or something. But it didn't bother me, I was loving
it.
During
Pure Massacre, the crowd went absolutely nuts. The mosh was
killer and people were jumping everywhere. After they finished
and the crowd calmed down, Daniel said, "St. Louis kicks
arse!" It was so funny how he said it.
I was
crying during Cemetery. The second I saw the red PRS, I knew
what was in store. Daniel said his usual "I'm gonna do
one by myself" but he added, "Go for a toilet break
and relieve some tension/" I blocked out everyone around
me and focused on Daniel's incredible voice. It was so powerful
that I could feel it in my stomach. He put so much emotion
and energy into it that I was just shaking and my stomach
had butterflies.
After
he played it and the rest of the guys came back out, Daniel
said, "See, this is how punk rock we are. Our guitars
go out of tune more often." He messed around with the
tuning a bit, then said, "We're gonna do a song we don't
do that often. It's kind of poppy!" Within three songs,
they did The Closing AND Pop Song! Just imagine how awesome
Learn To Hate would be!
Daniel
did his lovely "The water in St. Louis..." The crowd
went nuts and I was especially happy because he acknowledged
St. Louis in one of his songs. See, we aren't so bad after
all!
Here's
a good example of Daniel's awesome sense of humor. After Tomorrow
he screamed into the mic, "Let me hear some motherfuckin'
noise! How y'all out there? Y'all ready to rock? Y'all ready
to rock in the motherfuckin' hood y'all? Can I hear some screaming?
Can I get a halleluia? Yeah! Ready?" He then kicked right
into The Door. He was all gangsta like and it was hilarious!
Even Ben and Chris were laughing at him.
The Door
ended and Faultline started up right away. Daniel went totally
nuts at the end, along with the crowd. It was so packed with
energy that it was unreal. I could just tell by looking around
that the lucky St. Louisians were fortunate enough to win
tickets were enjoying themselves. I know that Kari and I were.
Another
prime example of Daniel's humor -- "I've got a story.
You wanna hear a story? It's not very good but I'll tell you
anyway. We came into St. Louis today in a little mini-van.
We've been traveling around in this eight-seater mini-van
with nine people for the past four weeks so it's been relatively
smelly and hot 'cause it's summer in your country, which means
it's winter in ours. So anyway, we invited this guy on our
bus 'cause we thought he looked attractive. He started doing
sexual manuevers and started fondling with Ben's genitalia.
He said he should shave Ben's head due to the hot weather
and instead he left the chunk down the middle. Hey, I told
you it was bad -- you wanted to hear it!" I must say
that Ben looked exceptionally pissed.
After
that, they went into No Association. Daniel was Mr. Anger-man
during that song! He used his evil voice during "stop
sucking the blood right out of me." During the mysterious
"waterfall" part he kind of mumbled it. I wasn't
exactly sure what Daniel was doing after No Association when
he went up to the middle of the stage and just stared into
the crowd. The lights were shining on him and he looked very
evil. He stood there for a while and stared out into space,
strumming spontaneous chords on the guitar with lots of feedback.
I've never thought Daniel could actually look scary but the
lighting made him look so psycho!
He then
started the first chords of Freak and the crowd was pleased
because they kept screaming for it. He flicked the crowd off
when he sang "as cool as all of fucking you." During
one of the last "body and souls," they slowed it
down and Daniel was singing with no music playing. He was
quiet until he screamed, "I'm a FREAK!"
Next,
Daniel said, "This is off a movie soundtrack. We've only
played it live once. We're probably gonna fuck it up."
But I must say that they had perfected Spawn. I listen to
the album version all the time and never imagined what it
would be like to hear it live. It was so awesome! They had
the spotlight on Chris during the bass solo.
They then
left and took a short break. I was surprised when they started
playing Nobody Came. The crowd was mellow at this time, but
they got into it when it speeded up.
I sensed
that Israel's Son was up next. The spotlight was on Chris
again and he did his thing with the bass and fired it up.
It was totally awesome. At the end, Daniel threw down his
guitar and grabbed the mic off the stand, went to center stage
and just screamed his head off. "Put your hands in the
air!" He jumped around on a rampage and it was so energetic.
He almost inhaled the mic as he was screamed into it. The
venue lights were flashing on and off to go along with the
song. Everyone had their hands up and people were jumping
like mad. I couldn't help but smile at seeing the crowd so
pleased.
After
the show, we sat around until we saw Bailey, Hugh Taranto
and Daniel's father Greg Johns throwing out memorabilia for
the fans. Soon it was time to leave, so we headed for the
doors and just walked around outside. People were all about,
looking for the guys. All the crew members and the guys' dads
were standing outside the mini-van. After waiting around for
a bit, we decide to leave. We walked away at the same time
the dads did. Some girl was talking to Daniel's father and
he was nice to her and wished her a happy birthday.
Slowly,
we went to the car. I was so blown away that I could barely
walk. Let me say this -- out of all the shows I've been to,
this was by far the best. They were just incredible and I'm
not surprised.
Set List:
(Green PRS)
Slave
Leave Me Out
(Black
PRS w/ 'People Suck' sticker)
Abuse Me
The Closing
Pure Massacre
(Red PRS)
Cemetery
Pop Song For Us Rejects
Suicidal Dream
Tomorrow
(Green
PRS)
The Door
Faultline
No Association
Freak
Spawn
Encore
(Green PRS)
Nobody Came
(Black
PRS)
Israel's Son
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