Torhout
Festival, Belgium, July 4, 1997
Torhout
Festival, Belgium
By JAMIE
ORR
All photos
by Julie Schkoda, Sony Music Belgium
About
three-fourths of the campsite's population managed to crawl
out of their tents for the first band of the festival. I've
always loved silverchair and so I'm a bit biased when I say
that I was shocked to learn they were the opening set.
Slave
opened everyone's ears a little more than they had been. A
few more "metalers" paid attention and a few people
recovering from the previous night's drugs and alcohol ran
for cover.
A
few 'chair tour t-shirts were spotted in the crowd, and the
mosh pit grew slowly in size as the three tore through Roses,
Pure Massacre, No Association, Suicidal Dream, Tomorrow and
Freak.
In Europe,
Freak had received a lot of airplay on MTV and Viva (a German
MTV beater!) and radio. It felt like mainland Europe had accepted
silverchair as a "teenie" band -- pictures of the
band (Daniel, especially) were to be found in heaps of magazines
aimed at teenage girls.
At the
start people were watching, but before the band reached the
closing number, Israel's Son, the audience were taking part.
Daniel
didn't communicate much during the show, only muttering "motherfuckers,"
"you guys rock" and "thanks for coming."
Had there been a few more surprises, maybe the still half-asleep
crowd would have awakened a bit more.
Israel's
Son really suited the festival atmosphere and the sound was
perfect. As the song got to the slow bit (when the riff changes
halfway through) the crowd, many being non-fans, thought that
was it and when Daniel came bouncing back with the second
half it was treated as an encore (what idiots!) Daniel's screams
of "put your hands in the air" were obeyed by all
in the now sizable mosh pit. Ben and Chris left abruptly after
the song ended and Dan played with feedback and distortion
for a while (which people thought was very you-know-who-ish
of him).
After
the show the fans were left happy and silverchair could only
have gained some more popularity. |