Adelaide,
Oct. 26, 1995
By LISA
THEUNENS
On the
26th October, silverchair visited Adelaide and played a gig
at the Thebarton Theatre. Some people waited outside the doors
from 5 a.m. to be in front and at least two girls came over
from Western Australia for the concert. The doors were scheduled
to be opened at 7 p.m., but didn't open until 7:30 p.m. By
that time the crowd were a little bit pissed off. As soon
as the doors opened people ran to the front to get their places.
The Thebarton Theatre was totally packed, and one of the security
guards told me after the concert that tonight was the hottest
it's ever been in the Thebby theatre.
There
were two bands before silverchair -- the Adelaide band Numbskulls
and Perth's Ammonia, who are signed to silverchair's label
Murmur. By the time silverchair hit the stage, the crowd was
really hyped up.
The concert
started of with a really weird sort of mystical chanting,
which is really hard to explain! Then they emerged, Daniel,
Chris and Ben. The crowd went totally ballistic as the band
came out under the red zig-zagged lights.
As usual
they started with Madman, which sent the crowd into an even
bigger hyped up frenzy. Everybody was moshing and crowd surfers
were everywhere, too many to try and keep count of. They then
launched into Leave Me Out, but the power suddenly died out
on Chris's amp.
Daniel
then took control. He talked to the crowd for a while, then
with the assistance of us sang happy birthday to Ben, as it
was his birthday two days before. Once that was done Daniel
launched into a solo version of Suicidal Dream, which sounded
very different but was very good. He also apologised for the
inconvenience that had been caused.
The power
then returned, finally and silverchair threw in two new songs,
which were pretty god damn choice and very different to their
songs on the album. Then some more songs from their debut
album frogstomp.
Finally
Tomorrow was played. I don't think it was even worth Daniel
singing as you couldn't hear him over the top of the crowd,
which were screaming the words at the top of their lungs.
Next was
Pure Massacre, and the crowd was still going crazy. Moshing
and crowd surfing! They then left the stage, but soon to return
and play Israel's Son. That started the crowd in another ballistic
moshing frenzy. As Israel's Son ended the 'chair put down
their instruments, threw down the mikes, trashed the stage,
Ben trashed his drums, etc., then it was all over, all so
soon!
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